Despite the inclusion of a lovely yet unnecessary song by Annie Lennox, The Return of the King marks the end of an extraordinary collaboration that's destined to be celebrated and studied for generations to come. Shore and Jackson are visionaries for whom this was a labor of love, and these films are a testament to their nearly inhuman resolve and tenacity. With its soft, bittersweet strings, it packs an emotional impact that would have resonated only on the surface had he taken a by the book approach to scoring the action sequences. It's this dedication to memorable composition that makes "The Grey Havens" - the film's epilogue - so compelling. "The End of All Things" explodes with a variation on the choral arrangement that normally accompanies the Ringwraiths, and inter-cuts it with the voice of the ring - a boy soprano - before launching into the ten-minute "Return of the King." Like a Wagner opera, Shore methodically places familiar themes within the context of emotional turmoil, avoiding the forgettable nonstop dissonance that others apply to battle scenes with sweeping, often nightmarish melodies that linger for days. That breath is needed, as what follows is the culmination of nearly five years of work. The real magic begins with "The Black Gate Opens," a nervous breath and the calm before the storm, anchored by James Galway's tin whistle. "Twilight and Shadow" uses the gorgeous voice of soloist Renee Fleming to add weight to Arwen's ( Liv Tyler) decision on whether or not to choose love over immortality, and "Shelob's Lair," with its dissonant bursts of percussive brass, cements Shore as this generation's Bernard Herrmann. By the time he reaches the devastating "Steward of Gondor" - featuring a heartbreaking tune sung by Hobbit (Billy Boyd) - the mood has shifted from nostalgia to urgency, channeling the protagonists' desperation to complete their harrowing journey. Opening with a Brahms-like veil of strings that deftly segues into a solo violin variation on the main melody, Shore begins by re-revisiting themes from the previous films. If The Fellowship of the Ring was its heart and The Two Towers its body, then The Return of the King is the series' soul. With each installment of New Line Cinema's Lord of the Rings trilogy, his seemingly bottomless cauldron of memorable motifs and affecting character themes washes over Peter Jackson's Middle Earth like a coat of varnish, bending each frame to its will. It plays when Faramir speaks with Gandalf as he and his host grimly depart on horseback from Minas Tirith, at the Steward Denethor 's bidding, to try to retake Osgiliath. This title is available in MakeMusic Cloud.The monumental task of scoring - in rapid succession - three of history's most anticipated films has done little to temper the fire that fuels composer Howard Shore's vision and enthusiasm. 3:53 The Steward of Gondor is the name of the fifth track of the Original Motion Picture Soundtrack of Peter Jackson 's The Return of the King. Titles are the twelve major themes from the blockbuster trilogy: from The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider from The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas from The Return of the King: Into the West * The Steward of Gondor * Minas Tirith. The recording features live demonstration performances of various instrument tracks from the series. The instrumental solo part, in concert pitch, is added above the piano part. A separate piano accompaniment book with audio is available for the wind series. Each theme on the recording is presented as a "demo" track (which features that particular instrument) and as a "play-along" track without the solo instrument. Each book contains a carefully edited part that is appropriate for the Level 2-3 player and a fully orchestrated accompaniment recording. jediking12 56.1K subscribers Subscribe 506K views 12 years ago This song shows the confrontation between Denethor, Steward of Gondor, and Gandalf. The wind instrument books are completely compatible with each other and can be played together or as solos. incorporating the familiar main theme, as well as the Rohan and Gondorian. They are printed on top-quality antique paper stock, and the covers showcase the new "trilogy" artwork. This deluxe edition of the soundtrack to The Return of the King has the. Desirable and collectible, these instrumental folios are loaded with black-and-white photos of scenes from all three films. Music from all three films arranged for wind instruments.
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